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Blog: THE SYMBOLISM OF THE LETTERFORM

THE X-MARK AS SYMBOL What lies beneath: the nature of the x, the cross road, the crossing guard, the mark of the x and the magic of the nexus. MGM | screen site shot from handheld The symbolic allegory of the x mark. When I was in Bali, I was surprised by the...

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Blog: The Sound and the Fury

The Acoustical Messages of Place In my study of experience narrative design and the experiencer in place — for me and for others — I ponder the notion of sound. As a designer of places to be, to tell stories, to share ideas and products, to evoke comfort,...

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Blog: The Scent of Man

Exploring the Place of Masculine Fume: the Mind, the Memory, the Mystery of Maleness. There are those that might propose that any man being preoccupied with the idea of scent is a fool. What comes to mind is the self-styled buck that gets on the elevator wafting a...

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Blog: HERE, THERE, EVERYWHERE: [W]HERE ARE YOU?

DEFINING PRESENCE, PRESENTATION, AND PARTICIPATION I’m Here. Before You. And I’m Here For You. Contemplating The Context Of Presence—Being In A Place, And Presentation—Having Something To Present, Or Presented To You, And Being In The Place: Listening, It’s That....

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Blog: THE ART OF FINDING

PLACEMAKING AND JOURNEYS ………………….. WORKING + BEING IN A CERTAIN PLACE — A JOURNEY OF FINDING. When you get some where, what do you find? There’s one critical point, to the idea of working in other places in the world and that is learning to be there: work there,...

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Blog: THE ART OF FINDING

PLACEMAKING AND JOURNEYS ………………….. WORKING + BEING IN A CERTAIN PLACE — A JOURNEY OF FINDING. There’s one thing, to the idea of working in other places in the world — learning to be there: work there, explore there, BE OUT THERE; but invariably that means that you are...

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Blog: ATTENTIONALITY

HOW ATTENTIVE ARE YOU? As you think about design, and the creation of designed experiences, the point might go two ways: how attentive are you? and how attentively will your experiences be received? People come into a place in the construct of impressionistic...

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