Search results for: type / font design
by Tim Girvin | Concepts, Cool People, General | Jan 24, 2009
(www.goldenpaints.com/) Explorations on color, meaning and experience. And Michelle. Surely I can’t offer an presentment on the concept of the implication of color , the symbolism, let alone the depth of experience that exists in the trade on color trending... Read More
by Tim Girvin | Designers, General | May 25, 2009
A voyage of inspired imagination. When you are young, you recall points of connection that are unmistakably remarkable, they are life changing — dynamically shifting you from one point of view to another. Or, they might too suggest moments of new discovering... Read More
by Tim Girvin | Brands, Motion Pictures, Storytelling | Oct 31, 2023
Some observations on the strategy of illustrative brand identity transitioning. I know this is a reach for many of you—as a watcher of the series— but it’s the season, so a reference: happy halloween. Perhaps also likely, you wouldn’t be caught “dead” watching any... Read More
by Tim Girvin | Concepts, General | May 4, 2009
Classic British design, calmly repackaged in the face of fear. I’m sure you’ve seen this. (image: Graham Turner | WWII propaganda poster, Woodbridge, UK) If you’ve been in London, you would’ve seen it there — festooned, on the walls, an... Read More
by Tim Girvin | Brands, Concepts, Designers, General, Interior Design, Luxury, Places, Retail, Storytelling | Dec 2, 2008
Exploring integrative identity and developmental work on the House of Orange, Valentino, Bardessono and Harvey Nichols | Jakarta — logo story in brandplace and other case studies. There’s an implication in the current realm of testing behavorial study,... Read More
by Tim Girvin | Brands, Concepts, Cool People | Mar 28, 2010
Exploring identity and television brand design development. In the past, others have promulgated remarkable use of key-strokable, customized fonts, in the development of motion picture graphics. Friend Kyle Cooper, for one. The nature of type design can gather up the... Read More
by Tim Girvin | Brands, Concepts, Storytelling | Nov 18, 2020
YOU COULD FIND A WAY OUT, THAT COULD BE A WAY IN. I was first struck by this sign that I found in an antiques shop outside of London; and there’s a story—for those calligraphically-inclined—that this font [for the sign] was originally designed [1918] by early... Read More
by Tim Girvin | Brands, Cool People, Marketing 2.0, Places, Retail | Oct 25, 2019
EVERY JOURNEY HAS A BEGINNING—ITS END IS MERELY ANOTHER BEGINNING. In my history with Dawn Clark, my best friend, design partner, consulting collaborator, surfing mate, it’s been a long evolution of watching her ideations of the Nordstrom store-wide redesign, from her... Read More
by Tim Girvin | Artists, Concepts, Designers | Mar 8, 2017
The Scribbling of Design Theorems — Drafting With Navigational Instruments The word scribe to script, as a verb, is a “scratching, a scribble, a marking.” Describe comes to mind, for in that scratching, definition and articulation of idea becomes manifest — and in a... Read More
by Tim Girvin | Concepts | Jun 21, 2010
Notes on signing, wayfinding, alphabets and recognition. When you are lost, where do you go, what do you do? You can, metaphorically, look for a sign. That might help. Or you can look at a map. They are the same thing. A sign is a map. A map is, in fact, a grouping of... Read More
