by Tim Girvin | Brands, Concepts | Jun 27, 2013
Writing out the Telling of Brand Character When you meet someone — impressions emerge, tellings happen, characterizations frame themselves. I’ve always believed in the idea of listening, and writing it out. When I ask a question I’m looking for an...
by Tim Girvin | Artists, Designers | Nov 2, 2012
The etymology of design, the signature of personality — and your presence. The design of you is what you make of it. The design is you. Your story, your musculature, the tracery of your nerves and veins, how you draw, hold a drawing tool –what you see,...
by Tim Girvin | Concepts, General | Aug 8, 2012
Flying with dragonflies One stroke, drawn, another. Sometimes, in the air, you are tracing lines — like a conductor, lines drawn and gestured in the molecules of motion. That line, in the stroke of air, is your imagination — again, like Nabokov’s...
by Tim Girvin | Concepts, General | Aug 6, 2012
Handwriting, the message, and the carriage of content I can look at a person’s handwriting and know how it will work out [their relationship to me.] There are insights in the cartography of writing [handwriting as soul-mapping] — and these interplays: [the...
by Tim Girvin | Brands, Concepts, Designers, General, Storytelling | May 17, 2012
Layering content, the palimpsest of meaning A calligraphic broadside, a gift, for speakers and presenting participants at The Evergreen State College 40th Anniversary. When I was a student, library adviser, workshop instructor and finally, faculty member [graduate...
by Tim Girvin | Artists, Concepts, Cool People | Oct 24, 2011
The Legacy of Type Studies | Reaching Back “It’s been said that the first stroke of any alphabet is the vertical, drawn with the finger — from heaven, to earth. In the mysteries of the origin of writing, it is the first stroke that cracks the light...
by Tim Girvin | Artists, Concepts, Cool People, General, Storytelling | Sep 6, 2011
The concept of the interval: the use of space in design I think about what is presence. And I consider, what is absence? What is here — easily seen; and what is next? What is the interval? What converts moment to momentum? One wind driven day, I was painting...
by Tim Girvin | Concepts, Designers, General, Retail, Trends | Aug 18, 2011
Thinking Craft, Materials Cutting and Computation I’ve been working on a series of journals. Recently, I’d been drawing from a iPad — and learning to craft formats and visuals that cross from photographic gatherings — and scribed, live,...
by Tim Girvin | Artists, Places, Storytelling | Jul 29, 2011
I got a note from some friends at the Oxford English Dictionary. It was about this word, “abracadabra” — and perhaps you’ve got the same one, since you might have friends there too. Earlier in my life, studying the history of the word, the real...
by Tim Girvin | Concepts | Jul 27, 2011
Early hand drawn explorations of the letter IMAGE: GIRVIN | hand made cut star alphabets in 12 languages –––––– There’s a rhythm to the alphabet, drawing it, the forms can flow from one character to another. The story of their evolvement is a legacy of thousands...
