by Tim Girvin | Concepts, Motion Pictures, Storytelling | Sep 1, 2022
IN THE HISTORY OF GIRVIN’S THEATRICAL BRANDING, THERE’S A STORY IN A STORY, A DESIGN INSIDE A DESIGN, A LAYERING OF INTENTIONS INSIDE THE OUTREACH. Working around the notion of illustrating a certain trail of cinematic storytelling, as a theatrical branding design...
by Tim Girvin | Brands, Cool People, Motion Pictures | Jun 22, 2022
THE STRIKE OF THE TWIN LIGHTNING BOLTS THE EVIDENCE OF LEGACY | TOM CRUISE AND TOP GUN Titling Design Trailer In my history as a designer of theatrical branding, I’d already been on the run for about 10 years [since Apocalypse Now] of working on motion picture and...
by Tim Girvin | Brands, Cool People, Motion Pictures, Storytelling | Jan 14, 2022
EARLIER, WORKING WITH BRYAN ALLEN AND NANCY GOLIGER—THE CREATIVE LEADERSHIP AT PARAMOUNT—I WAS ASKED TO ADVANCE THE BRAND IDENTITY STORYTELLING DESIGN AROUND THE FILM “LARA CROFT TOMB RAIDER.” 2 We worked on both Angelina Jolie properties, under Simon West’s...
by Tim Girvin | Concepts, Cool People, Designers, Motion Pictures, Storytelling | Oct 31, 2021
MOTION PICTURE BRAND DESIGN | MACABRE, MONSTROUS, HORRIFIC | STRATEGIC DESIGN FOR THE TWINGE OF TERROR According to a high school buddy, now a Emmy-winning screen writer, horror is the new “it”—at least to his take, that’s what he’s focusing on. He writes with a...
by Tim Girvin | Brands, Cool People, Designers, Luxury, Motion Pictures, Storytelling | Oct 16, 2021
James Bond in TOM FORD Dark Blue Wool Silk Check O’Connor Notch Lapel Jacket, O’Connor Tailored Trousers, Sky Blue Poplin Collared Shirt and Dark Blue Diagonal Silk Tie photo by Nicola Dove © Danjaq, LLC and MGM THE EMOTIONALITY OF THE LOOK, BRAND DESIGN, OF MOTION...
by Tim Girvin | Incubation, Marketing 2.0, Motion Pictures, Storytelling | Jun 2, 2021
TACTICAL INSIGHTS FOR REMOTE PRESENTATIONS TALKING TO A STRING OF FRIENDS—SALES PEOPLE–ABOUT PRESENTING REMOTELY, IT IGNITED SOME MEDITATIONS ON AN EARLIER PROJECT, “SUSPECT ZERO.” We’re all living in a time of “remote viewing,” that optimistically will soon be...
by Tim Girvin | Motion Pictures, Storytelling | Apr 30, 2021
I will not be pushed, filed, stamped, indexed, briefed, debriefed or numbered. My life is my own. I resign. —NUMBER 6 I introduced a friend of mine to Patrick McGoohan’s “The Prisoner,” a series that he conceived, starred in and produced for a limited run in the 60s....
by Tim Girvin | Brands, Motion Pictures | Mar 12, 2021
DESIGN STUDIES IN BRAND STORYTELLING AND PATTERNING As a designer for motion pictures, I look backwards to go forwards. And I look forwards to go backwards. What that means is that much of our work as designers, particularly in motion picture related design and...
by Tim Girvin | Concepts, Motion Pictures, Storytelling | Nov 11, 2020
AS IS MY NATURE, I TEND TO LOOK BACK: LEARN, TO LOOK FORWARD, FOR WHAT WAS, IS AGAIN —A GAIN. In any study of meaning, it’s also worth a return to the source of that meaning. As a writer, I examine the import of words, where they came from, what they meant and what...
by Tim Girvin | Cool People, Motion Pictures | Nov 2, 2020
CONTEMPLATIVE OF HIS PASSAGE, A ROBUST 90 YEARS, THE SEAN CONNERY BOND LEGACY IS A PROFOUND OPENING CASTING: LAUNCH AN UNFORGETTABLE NOTCH IN THIS IAN FLEMING STORYTELLING DEPICTION. AND STYLISTICALLY, ONE THAT REMAINED IN PLAY FOREVER. Suavely cool, sardonically...
