Crickets, why cry? we all go that way.
A contemplation on gratefulness Notes on the death of my father, George W. Girvin, 7.05.2024 "Why do you have skulls around you, everywhere?, I mean, you’re always wearing skull scarves, rings, all that." Someone asked me this question. I have a long history with...
Embracing change | Brand Strategies for Innovation
The Quest for the New, in Remembering the Past Contemplations on brand innovation and evolution patterning I bought a new car in Portland, Oregon, and I recalled my days working down here. Time goes by. And back then, I was working with Lloyd Reynolds—and later, a...
Rare Brand Magic—Uncovering Unknown Enterprise Storytelling
Brands That Live in the Shadow, But Are Full of Light Do you have a brand relationship that is, to your thinking, your personal secret— something special, marvelous, your happily loved and savored place? Is there ever a brand that lives on the quiet side, unknown,...
GIRVIN [and Tim Girvin’s] Legacy of Calligraphy
The Dance of the pen—the drafted thought—and the illustration of language It’s an intriguing observation—the idea of the rhythm of speech—people talking, listening to words and expressions of thinking—the journey of minds, and the trails of their contemplations: the...
The Peaceful Brand Warrior | 360º Strategic Intentionality
There’s a word that GIRVIN uses as a way to define the thoughtful design of brands in the context of a 360º sentience—experientiality. It’s a spherical watchfulness—in one classical reference, keep your “head on a swivel, watch your six” way of approaching a place,...
The Integrated Philosophy of Branded Placemaking | Steiner and Jannard
Conceptions of Brand-related built environments for storytelling in contextual community. First off, a reference to the Oakley Headquarters—an environment designed and dedicated to the spirit of innovation that drives the brand and the creation of their products;...
NGISED Backwards | The Proposition of Design Thinking
When we study “design thinking, it comes back to a sequence of thoughtful evaluations and engagement with analysis—but too, an exploration of the context of emotion—as tactics are framed to capture feelingness, which flow into the humanity of brand, untethered...
A Cascade of Mysterious Messaging | Finding a Meaning
A Meditation in Abandoned Signage There is a It is in the everyday—that you walk by—or on. There’s a message in that which is here. And that, left behind. The message could be: look here. No, up there. Or behind you. And while you look. Watch out, better still, be...
Into the Rave[n]
The Quest for Creative Inspiration, Imagination and Personal Iconography I photographed this bird in the Himalaya— in Bhutan, a place of the Raven Gods. As some know, I have a long history with Ravens—the birds. This comes from earlier, childhood and mystical...
Bespoke Identity | Custom Fonts for Motion Picture Branding
In my history, I’ve often thought, looking at, literally, any logo—“that could be better.” Or, “why such an off-the-shelf solution—there’s nothing distinct, ownable or registrable with this asset?” Of course, all of us, as brand strategists, designers and logo...