Bespoke Books and Calligraphic Font Design

Above, speaking of scripts, a Girvin stylistic expression: a broadly splayed opening capital, a hairline accentuation, a strike stroke from the opening character in its initiation, a bounced baseline and jumped x-height, an unexpected ligature, widely varied pen...

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Drawing Love | Mapping Brands

Workshopping allegories and brand soul I was thinking about the question of inquiry and exploration, the search—reaching in(to people)—listening to them, learning from them, and gathering their impressions and ideas. Search for it, listen to them, what does that look...

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Brand Jewelry | Designing Brands for Jewelry

Could a brand be so beautiful that it should be made into jewelry? “Sure,” says Susy Korb, an earlier Creative Director at Tiffany&Co., she asked, “Could we create a font that could be used in our print, as well as for actual fabrication into precious metals?" In...

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Brands that are beautiful

The Quest for the Most Beautiful | Brands, Enterprises, Narratives and the People That Make Them. In our life journey, the threading of our work, as creatives—people that create— we listen, absorb, gather, interpret and make meaning. We work to import and deliver...

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Brands, what do you know, now?

The quest for where you were, and where you are now—and, as we’ve asked, “what do you know?” You might just never know. I’m walking out there, walking around remote pathways wild rivers, swaying bridges, down in ancient buildings and pathways. And while I’m down...

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If you’re not here, do you k[no]w where?

Of course, as a brand person, a place-maker—as you are—we’re thinking: “if you’re not here, and not over there, then where are you? Do you know where you are? Or are you nowhere?” I’ve been talking A LOT about placemaking—and planning spaces, making places—since I’m...

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